A moral adventure: one sees friendships being born and being discarded, under the pressure of avowed authorities such as the family and the prejudices it states, or unavowed as the economy that no individual alone expresses.

A moral adventure: one sees friendships being born and being discarded, under the pressure of avowed authorities such as the family and the prejudices it states, or unavowed as the economy that no individual alone expresses.

一名监狱囚犯被虐待，负责这名囚犯的监狱护士被解雇。全国八卦媒体都在关注“监狱事件”，其中一名记者希望让囚犯康复，并鼓励她讲述背后的真想也许是她“自愿”的。本来应该是一个简单的新闻却变成了一个巨大的丑闻，每个人都想知道到底发生了什么。性故事还是简单的八卦？

一名监狱囚犯被虐待，负责这名囚犯的监狱护士被解雇。全国八卦媒体都在关注“监狱事件”，其中一名记者希望让囚犯康复，并鼓励她讲述背后的真想也许是她“自愿”的。本来应该是一个简单的新闻却变成了一个巨大的丑闻，每个人都想知道到底发生了什么。性故事还是简单的八卦？

When a disease is spreading over France, a publisher is fleeing to the campaign with his wife...

À la Maison des femmes, on soigne les femmes victimes de violences. Ailleurs elles sont menacées, brutalisées, violées, mutilées, leurs souffrances ignorées. Ici, elles sont écoutées, soutenues, aidées, crues. Diane, Manon, Inès, Awa et les autres leur donneront le bras jusqu’à ce qu’elles puissent se relever. En équipe. Quitte à risquer leur propre équilibre.

« Traces, women's imprints » is a film that ventures to the discovery of three grandmothers kassenas (Burkina Faso,) their granddaughter, and the exclusively feminine art of this region's mural paintings. Between these women's portraits and a traditional art form, « Traces » is a painting on paintings that reflects upon transmission, education and memory in the context of a world in mutation.

Jean-Marc and Pamela attend the première of a film directed by one of their friends. They gradually lose control of things.